PUTSCH Agency: shaping the future of electronic artists

In a field where artist support often amounts to a contact list and a percentage, putsch.agency came out of a simple observation: the artists we were booking had nobody defending them.

The problem

An emerging electronic artist burns slowly. They play, they climb, they get noticed, then they're alone with a contract they can't read, a promoter who pays in three months, and visibility that depends on an algorithm.

Large agencies don't take that risk. They show up once the curve has already gone up.

The answer

The agency does three things.

• Support. Tailored guidance for emerging and established artists, from contract review to structuring a touring year.
• Booking and network. Connecting artists with promoters, venues and festivals, in France and worldwide.
• Promotion. Strategic communication and digital campaigns, using the tools we built for the collective.

How it relates to the collective

The collective and the agency aren't the same thing, deliberately. The collective produces nights and takes programming risks. The agency develops careers over years.

What they share is listening: nobody joins the roster because their numbers look good.

The full roster is at putsch.agency.